THE CRIMSON IDOL

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THE CRIMSON IDOL

ACT ONE

SCENE 1

EXT. FAMILY ROOM - DAY
SITTING AT THE SOFA PLAYING HEADACHE

JONATHAN (V.O.)

(TO HIMSELF) I was the boy unwanted, a prisoner I`m born to them/My brother was the one, that couldn`t do no wrong/And I was there dying in the shadow of him


JONATHAN

(TO HIS FATHER) Red, crimson red, am I the invisible boy?/ Feel the strap, Cross my back/ Yeah I`m the new whipping boy
(PAUSE)
JONATHAN (CONT`D)
who am Ithe orphan son you would never need?/Who am Icause I`m the boy only the mirror sees/Who am I-the slave you gave just the air I breathe?/Who am Icause I`m the boy only the mirror sees


JONATHAN (V.O.)

(TO HIMSELF)Oh I got the same old reruns, horror movies in my head/And I can`t rest they scare me to death/But if I`m not alive, how can I be dead?

THE CRIMSON IDOL

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JONATHAN
(TO HIS FATHER) Red, crimson red, am I the invisible Boy?/Feel the strap, cross my back/Yeah I`m the new whipping boy


JONATHAN

(TO THE MIRROR) Oh, why me?


THE MIRROR

Why him
JONATHAN
(TO HIMSELF) Can you tell me?


THE MIRROR

It`s confession again/Come talk to me, I see in your eyes/Titanic misery, ashamed you`re alive/I`m the face that you see/When the face isn`t yours/I`m the mirror my boy
CUT TO:

THE CRIMSON IDOL

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ACT ONE

SCENE 2
EXT. FRIEND`S NEIGHBORS - DAY

LYING AROUND

DEUS-EX-MACHINA
(SINGING)
I don`t know where I`m going, but I can`t wait to get there,/All I know is, I`m just going/I ran away from home last night, gone forever/I was running for my life/And I`ve heard the words of what I should be/Live, work, die, I am the orphan of the night

Take me down, I`m coming home, the road to ruins/Inside the pleasure dome/Take me down, I`m coming home, arena of pleasures/Where I belong

I`m in the eye of my rage, where no hurricane dies/I`m in the eye of my rage, where the hurricane lies/Oh, a storms in my eyes/And like the beast that`s in my soul, I`m the restless child/Ah mama, I`m running for my life

I was sixteen going nowhere, will I see seventeen alive/And I was running from the nightmare/I stand at the promised land with fire in my eyes/I`m at the crossroad of my destiny and desire/Oh, God, what will I be/And my obsession is the gasoline to feed my fire/Oh it`s burning in me

Don`t waste the tears on my wasted years/Mama I`m outta here

CUT TO:

THE CRIMSON IDOL

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ACT ONE

SCENE 3

INT. LIMO - NIGHT

SHARING A RIDE WITH A MOGUL AND HIS BRIDES

CHARLIE
(TO JONATHAN) Okay boy now here`s your deal/Will you gamble your life?/Sign right here on the dotted line/It`s the one you`ve waited for all your life
JONATHAN
(TO CHARLIE) Ah?will it feed my hunger/If I swallow lies right down my throat?/Or will it choke me till I`m raw?/And tomorrow when I`m gone/Will they whore my image on?/I`ll will my throne away, to a virgin heir and/Charlie`s slave
CHARLIE
(TO JONATHAN) We`ll sell your flesh by the pound you`ll go/A whore of wrath just like me/Well sell ya wholesale, we`ll sell your soul/Strap on your sixstring and feed our machine
JONATHAN
(TO CHARLIE) Ah, will it feed my hunger/If I swallow lies right down my throat?/Or will it choke me till I`m raw?/And tomorrow when I`m gone/Will they whore my image on?/I`ll will my throne away, to a virgin heir and/Charlie`s slave

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CHARLIE
(TO JONATHAN) Welcome to the morgue boy/Where the music comes to die/Welcome to the morgue son/I`ll cut you throat just to stay alive/Ah, trust me boy/I won`t steer you wrong/If you trust me son/You won`t last very long
CHARLIE
(TO JONATHAN) I`m the president of showbiz, my name is Charlie/I`m a cocksucking asshole, that`s what they call me/Here from my Hollywood tower I rule/I`m lying motherfucker, the chainsaws my tool/The new morgue`s our factory, to grease our lies/Our machine is hungry, it needs your life/Don`t mind the faggots, and the ruthless scum/Before we`re done, son we`ll make you one/I`m the tin man, I`ve never had a heart/I`m the tin man, But I`ll make you a star/I`m the tin man, I`ve never had a heart/I`m the tin man, but I`ll make me the star
CUT TO:

THE CRIMSON IDOL

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ACT ONE

SCENE 4

EXT. FRONT OF APARTMENT - DAY

SITTING ON THE STEPS BREATHING THE AIR

JONATHAN (V.O.)
(TO HIMSELF) The tarot is fate, said the Gypsy Queen/And she beckoned me, to glimpse my future she`d seen
GYPSY
(TO JONATHAN) She said, do you see what I see?,/be careful to choose/Be careful what you wish for, cause it may come true/When I lay the card down will it turn up the fool?/Will it turn up sorrow? If it does then you lose
JONATHAN
(TO THE GYPSY) I`m the lost boy can you help me/Yeah, I`m the lost boy can you help me
JONATHAN (V.O.)
(TO HIMSELF) Then the illusion was real, a crimson idol I saw/But the higher he`d fly, then the further he`d fall
JONATHAN
(TO THE GYPSY) I`m the lost boy can you help me/Yeah, I`m the lost boy can you help me
JONATHAN
(TO THE GYPSY) I just wanna be, I just wanna be, I just wanna be/The Crimson Idol of a million/I just wanna be, I just wanna be, I just wanna be

MORE


THE CRIMSON IDOL

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JONATHAN (CONT`D)
The Crimson Idol of a million eyes/Of a million
END OF ACT ONE

THE CRIMSON IDOL

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ACT TWO

SCENE 5

INT. NETWORKING PARTY - NIGHT

EVERYONE COMES TO EASY RIDER PARTIES

JONATHAN (V.O.)
(TO HIMSELF) He`s the king of sting, Mister Morphine my friend/Uncle Slam, medicine man/And I`m a junkie with a big King Kong sized monkey/Crawling up and down my back
DOCTOR ROCKTER
Oh, I`ll help ya son to rearrange your mind/Oh, I`ll help ya son, but ya gotta buy this time/I`m your doctor
JONATHAN
(TO DOCTOR) Help me please, oh Doctor, help me please/Doctor Rockter, you know I need you/Doctor please, my M.D., fix me in my time of need/But, can ya see the fire thats in my eyes
JONATHAN (V.O.)
(TO HIMSELF) It`s the mirror from the wall, that`s on the table/Feeding me little white lies/And I`m wasted in a waste land, I`m a junk man/I got tombstones in my eyes
JONATHAN (V.O.)
Ah, help me Uncle Slam, the beast claims another man/Cocaine, codine, 714, a tuinol blindfold just what I need/Help me, help me, help me

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JONATHAN (CONT`D)
Help me please, oh Doctor, help me please/Doctor Rockter, you know I need you/Doctor please, my M.D., fix me in my time of need/But can ya see the fire that`s in my eyes
CUT TO:

THE CRIMSON IDOL

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ACT TWO

SCENE 6

INT. CONCERT HALL - NIGHT

PERFORMING AT THE TOUR ACROSS THE NATION

DEUS-EX-MACHINA
(SINGING)
Demolition, mission-man/The old boy is hating me/I`ve become the one, they warned/me aboutoh he`s gonna die before me
Oh I am one/Love I am one/I got something to prove/And nothing to lose/Oh I am one

Eighteen bloody roses, each a year/thats bled my soul/Eighteen and numb, I`m somebody`s son/Mama, look what I`ve become

Will he take me down to the gallows/and kill the boy inside the man/I`m just a rock and roll nigger/I know he don`t know what I am

I don`t see my face in the mirror/Any more, or understand/Why am I the chosen one/I`m the crimson man/Long live, long live, long live the king of mercy/long live, long live/Is there no love, I am one/The side you see, is the nasty me

CUT TO:

THE CRIMSON IDOL

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ACT TWO

SCENE 7

INT. APARTMENT - NIGHT

MELLOWING OUT AFTER THE RUCKUS

DEUS-EX-MACHINA
(SINGING)

If I could only stand and stare in the miror would I see/One fallen hero with a face like me/And if I scream, could anybody hear me/If I smash the silence, you`ll see what fame has done to me/Kiss away the pain and leave me lonely/I`ll never know if love`s a lie/Ooh-being crazy in paradise is easy/Can you see the prisoners in my eyes/Where is the love to shelter me/Give me love, love set me free/Where is the love, to shelter me/Only love, love set me free/Set me free
CUT TO:

THE CRIMSON IDOL

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ACT TWO

SCENE 8

INT. CONCERT HALL - DAY

BENEFIT CONCERT TOUR

DEUS-EX-MACHINA
(SINGING)

There`s a flame, flame in my heart/And there`s no rain, can put it out/And there`s a flame,it`s burning in my heart/And there`s no rain, ooh can put it out/So just hold me, hold me, hold me

Take away the pain, inside my soul/And I`m afraid, so all alone/Take away the pain, that burning in my soul/Cause I`m afraid that I`ll be all alone/So just hold me, hold me, hold me

Hold on to my heart, to my heart, to me/Hold on to my heart, to my heart to me/And oh no, don`t let me go cause all I am/You hold in your hands, and hold me/And I`ll make it through the night/And I`ll be alright, hold on, hold on to my heart
CUT TO:

THE CRIMSON IDOL

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ACT TWO

SCENE 9

INT. CONCERT HALL - NIGHT

SINGING TO THE PEOPLE HE LOVES

JONATHAN
(TO THE AUDIENCE) Welcome to the show the great finale`s finally here/I thank you for coming into my theatre of fear/Welcome to the show you`re all witnesses you see/a privledged invitation to the last rights of me
JONATHAN
(TO HIS MOTHER) Remember me? You can`t save me/Mama you never needed me/No crimson king, look in my eyes, you`ll see/Mama I`m lonely, it`s only me, only me
JONATHAN
(TO ALL) I don`t wanna be, I don`t wanna be, I don`t wanna be/The crimson idol of a million/I don`t wanna be, I don`t wanna be, I don`t wanna be/The crimson idol of a million eyes, of a million
I am the prisoner of the paradise I dreamed/The idol of a million lonely faces look at me/Behind the mask of sorrow, four doors of doom behind my eyes/I`ve got their footprints all across my crimson mind


JONATHAN

(TO THE KING OF MERCY) Long live, long live, long live the king of mercy/long live, long live

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JONATHAN
(TO ALL) There is no love, to shelter me/Only love, love set me free/No love, to shelter me, only love, love set me free

I was the warrior, with an anthem in my soul/The idol of eight thousand lonely days of rage ago/And remember me when it comes your time to choose/Be careful what ya wish for, it might just come true


 
 
JONATHAN
(TO THE KING OF MERCY)
JONATHAN
(TO ALL)
JONATHAN
(TO HIS FATHER) Red, crimson red, am I the invisible boy/the strap on my back/Red, crimson red, no I was never to be/Only one crimson son, no it never was me
JONATHAN
(TO ALL) Living in the lime-light little did I know/I was dying in the shadows and the mirror was my soul/It was all I ever wanted, everything I dreamed/But the dream became my nightmare and/No?one could hear me scream/With these six-strings, I make a noose/To take my life, it`s time to choose/To take my life, it`s time to choose/The headlines read of my suicide, of my suicide

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JONATHAN
(TO THE KING OF MERCY) Oh sweet silence, where is the sting/I am no idol, no crimson king/I`m the imposter, the world has seen/My father was the idol, it was never me/I don`t wanna be, I don`t wanna be, I don`t wanna be/The crimson idol of a million/I don`t wanna be, I don`t wanna be, I don`t wanna be/The crimson idol of a million eyes
JONATHAN
(TO ALL) No love, to shelter me, only love/love set me free/No love, to shelter me, only love/love set me free
END OF ACT TWO

THE CRIMSON IDOL

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NARRATION

I was born Jonathon Aaron Steel, to the parents of William and Elizabeth Steel. I am a Leo, born under the sign of the lion and I was raised in a lower middle class family with only one brother Michael whom I love dearly. He was five years my senior. My father`s nickname was Red which I could never understand why because his hair was sandy blond. Nevertheless, the name stuck. So when my brother was born my father became Big Red and my brother Little Red.

I should have known from the first time when I realized their special connection, that I just didn`t fit in to my father`s plans. And as I grew older the constant comparison between my brother and myself left little doubt who was the image of perfection in my father`s eye. To him, my brother could do no wrong and I became The Invisible boy, the proverbial 'black sheep' and I soon figured out that red and black don`t mix. The beatings I received became more and more frequent to the point where I would ask my father "Am I the orphaned son you would never need"? But oddly enough I worshipped the ground my father walked upon.

My brother and I were a strange mixture, as different as daylight and dark. Looking back, it`s hard to imagine we came from the same parents. I sometimes wondered if we had the same father, but I always dismissed that idea as my mother was far too religious, my father as well, to ever even think of such a thing. But my brother who had always sensed my parent`s instilled insecurities tried his best to encourage me. For I was different and he knew it. He often told me when I was born an angel flew over my bed and christened me with a magic wand and said "You shall be the one." And I had no idea what 'The one' was, but as I grew older I began to understand. Most boys put their mother on a pedestal and worship them like the Virgin Mary but with her too my relationship was different and not for the good. She was opinionated, uneducated sometimes prejudiced, overbearing, believed everything she read, true or not, and when it came to religion was over?zealous to say the least. A mind boggling combination but she was pretty, very pretty, and I would often wonder, bordering on complete confusion, how a person of this description could rationalize life.

This was a series of characteristics that many times in my life I would look back on in bewilderment and the women I sought after when I was older would be nothing like her. In the pain of youth, the misery of my neglect, would manifest itself in many ways; depression my enemy, fear my friend, hatred my lover, and anger fuel for my fire. These four characteristics of my personality would become the guiding force of my life and would control everything I did or was to become. I shall explain later in the story about them which I call my Four Doors of Doom.

The mirror, the great plaything for man`s vanity. The mirror was to become, at times, my alter of refuge and others, my alter ego and its magnificent obsession with a relentless pursuit of attention. It served as a chilling reflection of my own wretchedness and my greatness. It was the one place I could go to see inside myself, to find love, in an otherwise loveless household, where I could be great, where I could be anything anyone wanted to be one hundred percent pure escapism until I discovered its precious secret. The mirror lives, it breathes, it talks, it lies, it has a personality all its own. It is a genie that grants all the wishes you could ever dream, at least in my case all except two.


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It was my 14th birthday. The day that changed my life forever. My brother Michael, the one person who was my guiding light, my friend, my hero, was killed by a drunk driver in a head?on collision. He died instantly. I couldn`t even bring myself to go to his funeral. My agony was to great I just couldn`t come face to face with him that one last time. My failure to attend intensified my parents` resentment for me even more. But from that moment on, nothing seemed to matter, especially that living hell called 'home.' For one year after his death I roamed the streets in a fog barely conscious of anything or anyone. I discovered alcohol and girls, drugs and in general a life I had never known which was exciting, frightening and wonderfully dangerous. And it was then as I staggered through a down town city street in one of my drunken rages stumbled across a small music shop and in the window there stood the instrument, the fiery tool that would become the object of my new found desire. The instrument of my passion, my obsession, the blood-red six string. It was like I`d known the thing all my life.

I soon found it was the only way I could truly express myself. It was a way to vent all my frustrations and all my pain completely opened all my Four Doors Of Doom and I found myself going to the mirror for counsel less and less. Because of this my songs seemed to write themselves and I knew my destiny was in my music but I was going to have to get out of this backwards town I was in if I was ever going to succeed. I was 16 going nowhere and the only thing that my parents knew was 'live, work, die.' And if I stayed there that was exactly what was going to happen to me I was gonna die. So I ran away to the big city with the lights, excitement and danger and a chance for me to finally live and do my music without the persecution I had known for so long.

I hitchhiked all the way with a suitcase in one hand and my guitar in the other and as I stood at the edge of the city the magic of the place was incredibly intense. It was to be my new home the place I would call the 'Arena of Pleasure.' I lived and struggled in the arena for two years trying to get a break in the music world and make a record, and that`s when I ran across a delightful business man named Charlie. He had been a lawyer for 25 years before he discovered he could fuck over more people in the recording industry then he ever could in a court of law and he was the president of one of the biggest record companies in the world. The music business to Charlie was nothing more than a sacrificial lamb to be led to slaughter and the weapon of choice was his record company that he`d wield like a mighty sword. The great tool he would lovingly refer to as 'The Chainsaw.' The morgue, Charlie said, was the music business where everyone sells out. Where all the artists will eventually whore themselves to commercialism, the place where the music comes to die. And through him I learned everything I needed to know about the music business and even things I didn`t want to know. He said he could make me a star, one of the biggest things the world had ever seen. The big time was calling and I was on my way. He introduced me to an aspiring young manager named Alex Rodman and together we took on the whole fucking world and kicked it square in the ass.

Just before the release of my first album I was sitting on the steps in front of my apartment when a gypsy woman passed by. She stopped and asked me if I would like my fortune read and I had never had it done so I was more than happy to say yes. She revealed a deck of Tarot cards and began to tell me of my past in which she went into great detail about the pain of my youth, my brother and my parents. She saw my present with my great struggle to succeed and fulfillment of my dreams and new found happiness but after about ten minutes she stopped and I wanted to know of my future and 


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pleaded for her to go on and finally she spoke. She showed me a very disturbing vision of where I was going. I told her that I wanted phenomenal wealth and fame and in the cards she saw a fallen hero and looked at me and said, "Be careful what you wish for it might come true, for the face of death wears the mask of the King of Mercy." I asked her if she was sure of what she had seen and with a blank stare she turned and walked away leaving me with the cards and a haunting that would follow me the rest of my life.

Success agreed with me with amazing ease. The more records I sold the more excess I had of everything friends, money, women, cars, houses. It was at one of my nightly hedonisms where a flash individual entered the room. He introduced himself as the Doctor. I asked him what kind of doctor and he smiled and said, "meet my friend Uncle Sam." The mirror that was once on the wall, my alter ego, was now talking to me from the table and the next three years were a blur. Drugs became the new candy and alcohol became the new Coca Cola and Doctor Rockter was my new best friend and I never heard the mirror speak again until tonight.

I was at the peak of my career and the world saw me as I had always wanted it, the Idol, the Great Crimson Idol. Now I had everything it seemed, everything but the one thing that would have meant more to me than anything. The pain that manifested itself into my obsession, the acceptance of me by my mother and father, who I had not spoken to since I had left home.

One morning my manager Alex came in and broke up one of our nightly Easy Rider Parties. An Easy Rider Party was when everybody would come over to my house, the band, the doctor, hot and cold running women etc. And we`d watch the movie and do everything going on the film only a lot more. And he threatened to leave me if I didn`t clean up. It was not that he cared about me as a person he was only interested in my talent and what I could do to further his own career as a true showbiz mogul. But it was then I realized just how far things had gone. So I sat there alone in my palace of pain and I was numb from the alcohol and the drugs but equally as intoxicated by my own fame and I had just enough courage to pick up the phone and dial the number. My mind went into a whirlwind thinking of what would happen and the fear overcame me and I started to put down the phone but before I could, a voice at the other end rang out and it sent a chill through me that I had never known. It was my mother. It was hard for me to speak, my heart pounding out of my chest but when I did I did the best I could. She was very cold. But I knew the shock of suddenly hearing from me after all these years was overwhelming and I was hoping that all the time that had passed would heal the deep wounds between my parents and me but I desperately wanted them to approve of me, to accept me it was all I ever wanted. I hoped my success would finally prove my worthiness and they would welcome the prodigal son home. All I wanted was for them to be proud of me but less then 50 words were spoken. The last four were "We have no son."

Some wounds never heal and mine had scarred me for life. A great star fell from the sky that night and with its descent left a scorched path in its way -- a great path of self?destruction before burning out. And on this night the great finale is finally hear. "Be careful what you wish for -- it may come true." Long live the King of Mercy. 

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